Statens Kunstfond Udviklingsforløb på spillestedet RADAR
KANTATE LAB – 2024
The Danish Arts Council Artist – Development Program at RADAR- Music Venue in Aarhus
Two weeks of development focused on installation elements that respond to and interact with the musicians, exploring the elements’ own sound and inner song.
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Statens Kunstfond # Huskunstnerordning 2024
SOUNDTRADE II – OFF THE SCREEN
The Danish Arts Council Artist in Residence program
How do we open a space off-screen, filled with excitement, creativity, and presence?
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Statens Kunstfond # Huskunstnerordning
SOUNDTRADE I – MEMORIES GLIMPSE IN SOUND AND NARRATIVES
The Danish Arts Council Artist in Residence program
How to create an audio narrative with children of their own flashbacks from the time with Covid-19? …..more
Is it possible to adapt cinematographic tools to the theatre? Is it possible to zoom in on an actor or a prop on stage?
Laboratoriet – may, 2013, Venue: BoraBora dans og visuelt teater.
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MOTHERS AND DAUGHTERS MEMORIES
A Danish-Israeli performing arts experiment exploring whether documentary theatre is more ‘trustworthy’ because it is based on memories, and whether the claim “memories are objectively true” is reliable.
The experiment tested the credibility and the “validity of truth” of memories in different experimental se
tups where mothers and daughters separately recall joint significant episodes. Afterwards the joint memories were studied in order to identify their credibility regarding time, place, gallery of characters and emotions.
Mothers and Daughters Memories, Laboratoriet Time: October, 2012, Venue: BoraBora dans og visuelt teater.
REHEARSAL MATTERS
International digital knowledge-bank about performing art methods. In collaboration with Barbara Simonsen & Deborah Vlaeymans – LABORATORIET by BoraBora
Interview of 37 international performers and stage artists including Helgard Haug Rimini Protokoll, Jan Fabre, Staffan Holm, Heiner Goebbels, SIGNA, Eugenio Barbra, Richard Lowdon-Forced Entertainemt, Kirsten Dehlholm – Hotel Pro Forma , Jerôme Bel, Richard Foreman www.rehearsalmatters.org
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